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1931
Otis Studio – 860 45th Ave. San Francisco, formerly Arthur
Putnam’s studio built by Alma Spreckels
1932 House of Dudley, San Francisco
1933 Invited by sculptor Fin Froelich to come to Glen Ellen
and jury at Jack London’s Ranch.
Spent summer in Reno and vicinity; sold from Brundidge Art Store
and Gulling Residence.
Patrons from New York, C.S. Leland
Lectured at Paul Elders Studio and Book Store on American Indians.
Marin papers and SF Examiner, writer/reporter Ada Hannfin
Lectured at the home of Mrs. Ross, Marin Branch of Literature
and Art.
1934 Came to Marin and built studio to exhibit and paint in.
Did carvings, etchings and still life.
Interviewed on KTIM radio show. Writeup about George Otis and
New Daylight Studio.
1937 Reproduction of painting for Marin Recorder, “Mt.
Tamalpais, Sentinel of Golden Gate”
1938 Independent Journal writeup covering four years of painting
and studio.
1939 Exhibited in Meredith Bryson Studio. Many juried exhibits.
Appraised and restored art for many art owners and theological
seminaries, including San Francisco Presbyterian.
1939 Exhibits on Treasure Island: Fish and Game Exhibit, first
prize. Sonoma Exhibit, Conservationist writeup in Sacramento
Bee and Marin papers. Dioramas and sets. Sketched and painted
in the High Sierra Mountains.
1940 Sisikyu commission and painting trip to California ghost
towns
Wins “Honorable Mention” at Legion of Honor “Sea
Scape Class,” “Old Hunter’s Point”.
1941 Exhibited at Bank of America, Lady Helen Gorden Barker
gave speech.
Writing “The A.B.C.—X.Y.Z. of Landscape Painting”
for publication after his demise.
1949 Donated painting to Brother Cornelius at St. Mary’s
College to building fund for Keith Hall,
May 24, 1949.
1951 Exhibited Inverness Yacht Club.
Picture in Independent Journal showing Otis painting “September
Day” (Nixon Library).
Painted Point Reyes Hotel.
1952 Paintings at Woman’s Club of Hollywood.
1960 St. Joseph’s College, donated large etching to Father
J. Poggi.
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